Zen City Logotype of “ZenCity”, an artwork series by Kenji Ichikawa

KENJI ICHIKAWA

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Shanghai
Exhibition
2025

November 1

December 15, 2025

Building 7 (Yicang), EKA·Tianwu
No. 535 Jinqiao Road, Pudong New District
Shanghai, China

What's Zen City?

EXHIBITION CONCEPT

Zen Gardens
and Electronic Circuits
Beauty of Order

Zen gardens and electronic circuits share remarkable similarities in their appearance and structure. For many years, I have been fascinated by the circuits hidden inside everyday devices and have photographed their beauty from countless perspectives. Using these images, I create artworks that depict Zen gardens I have visited and photographed while traveling through Kyoto. In this process, I discovered many common points between the two.

When observed closely, electronic circuits resemble Zen gardens. Their intricate patterns and orderly arrangements echo the compositions of stones and sand. Just as Zen gardens symbolically express nature, electronic circuits also reflect advanced technology and aesthetics, embodying a unique beauty within precisely calculated order.

Micro and Macro
Revealing Two Forms of Beauty

Both Zen gardens and electronic circuits reveal their charm from micro and macro perspectives. When focusing on details, refined designs emerge, while from a distance, harmony and balance become apparent.

In Zen gardens, the subtle placement of stones and sand creates profound harmony, while in circuits, the accumulation of tiny components supports the overall function and beauty.

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Zen’s Silence
Circuit’s Precision
Beauty in Resonance

I love gazing at Zen gardens. Their silence and balance cleanse my mind, offering deep tranquility. In a similar way, I am captivated by the intricate structures of electronic circuits. They condense human technology and creativity, conveying both functional beauty and a sense of spirituality.

Calming the Mind
In Harmony with Nature
Seeing the Order of Circuits

Zen is the practice of calming the mind and seeking inner peace. Zen gardens serve as a place for this pursuit, symbolizing harmony with nature and providing a space for self-reflection through meditation.

Likewise, electronic circuits, filled with order and harmony, seem to resonate with the spirit of Zen in their quiet beauty.

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Savoring Precision
Sensing Harmony
Finding New Perspectives

To view the completed “Zen Garden” is to experience both the precision of details and the harmony of the whole. Through this body of work, which symbolizes the unity of technology and nature, I hope to offer a fresh perspective on the beauty of Zen. Despite belonging to different worlds, they share common order and beauty. My art presents this intersection as a new vision.

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Original technique.

ABOUT PIXEL MONTAGE

In 1988,
Pixel Montage
Was Born

“Pixel Montage” is a technique I devised in 1988, with the aim of cutting out and reconstructing printed materials and photographs to create new images. This technique explores expression by transitioning between microscopic and macroscopic perspectives.

Technique :
Origin
& Inspiration

The inspiration for this technique dates back to my childhood. I loved collecting commemorative stamps, character cards, candy packaging, river stones, fallen leaves, and pinecones, arranging them and looking at them with curiosity.
One day, I was astonished to see the inside of a television my father was repairing. Inside the simple box covered with a cathode ray tube and plastic casing, there was a circuit board neatly lined with tiny components.
It looked to me like a town seen from a mountaintop. I was fascinated by the contrast in scale—my own size, the size of my house, and the mysterious world that existed inside the TV. This experience deepened my interest in arranging collected objects to create new visual compositions.

Collecting,
Sensing,
Assembling

As an adult, I began taking photographs and collecting images from printed materials featuring a wide range of subjects, from organic forms such as lips, Japanese festivals, plants, and flowers, to inorganic objects like buildings. By carefully observing each image and considering its colors, shapes, and textures, I trimmed them into squares and connected them to form a unified image.

The consistent theme is “now”—I aim to create works in which the beauty of detail captured from a microscopic perspective coexists with the harmony visible from a macroscopic perspective. I follow my natural inspirations, gathering large volumes of the present moment from various places, and reconstruct them to form each piece.

The Heart
of
Pixel Montage

“Pixel Montage” is an attempt to fuse micro and macro perspectives to create new images that transcend time and space. At the heart of this technique is the process of contemplating how each individual image contributes to the whole and refining that concept into a final work.

Through this technique, I aim to offer visual surprises and the joy of discovery—works in which viewers can encounter new stories and interpretations.

Who is Kenji?

PROFILE

Portrait of artist Kenji Ichikawa, creator of the ZenCity series

市川 健治

Kenji Ichikawa

Artist. Born in Nagano, Japan in 1967. Completed his Master’s degree at Musashino Art University in 1997. In 1988, he devised his original technique “Pixel Montage,” a unique form of visual expression created by cutting and reconstructing photographs and printed matter into fragments, fusing microscopic and macroscopic perspectives. In recent years, his work has centered on the series ZEN CITY and ZEN GARDEN, inspired by the structural similarities between electronic circuits and Japanese gardens. These works traverse both digital and analog realms, attempting a contemporary “reconstruction of vision and memory.” In addition, he has continuously produced Pixel Montage works that use Japanese printed materials and explore themes of Japanese culture, expanding the scope of his artistic practice.

His international activities are also active. In 2024, he was selected as a finalist for the 19th Arte Laguna Prize and participated in the exhibition in Venice, Italy. In 2025, he is exhibiting at the international exhibition NordArt 2025 in Germany, as well as at the Arte Laguna Prize exhibition in Shanghai. In the same year, he was selected for Meet the Artists, a curated program by the international art platform Homiens, and was featured as one of only 30 artists worldwide in its official booklet.

He has presented his works in exhibitions and art fairs in Tokyo, Osaka, Nagoya, Sapporo, and Nagano, as well as internationally in New York, Paris, Hamburg, Wiesbaden, Shanghai, Amsterdam, Buenos Aires, Singapore, Kuala Lumpur, Abu Dhabi, and more.

He also works under the name Utamaro Kenji, creating murals, portraits, works for magazines, books, DVD booklets, television, and iPhone/iPad applications, developing his art across diverse media and events.

HP:www.gathering-art.com

Email:turbinet@icloud.com

INFORMATION

SCHEDULE

November 1, 2025ーDecember 15, 2025

EVENT SITE

Building 7 (Yicang), EKA·Tianwu
No. 535 Jinqiao Road, Pudong New District
Shanghai, China