Zen City Logotype of “ZenCity”, an artwork series by Kenji Ichikawa

KENJI ICHIKAWA

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Shanghai
Exhibition
2025

November 1

December 15, 2025

Building 7 (Yicang), EKA·Tianwu
No. 535 Jinqiao Road, Pudong New District
Shanghai, China

What's Zen City?

EXHIBITION CONCEPT

The Essential Commonality
Between Botanical Gardens
and Electronic Circuit.

"Botanical gardens" and "electronic circuits" might seem vastly different in appearance and structure, but I find them fundamentally similar.

This sense of similarity is the foundation of my art series, "Zen City." Using countless photos taken in botanical gardens, I express the internal electronic circuits of devices from an aerial perspective. Here, I explain why botanical gardens and electronic circuits are similar.

Exploring Commonality
Through Micro
and Macro Perspective.

Botanical gardens are ecosystems where delicate life forms harmonize and influence each other to create a unified whole. Similarly, electronic circuits consist of intricate components intricately interconnected to form a cohesive system that powers an entire device.

This intersection of the "micro" and "macro" perspectives is the commonality I see between them. The veining of leaves and the network of roots bear an uncanny resemblance to the wiring of electronic circuits, sparking my creative inspiration.

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Born at the Intersection
of Life's Energy
and Human Technology

I enjoy strolling through botanical gardens. The beauty of each plant and the latent energy of life within them deeply move me.
Simultaneously, I am fascinated by observing the intricate designs inside various electronic devices. The precision of their design and the marvels of human technology captivate me.

It is at the intersection of these two hobbies that my artwork "Zen City" was born.

Gazing at the Whole
Dwelling in Tranquility
Sensing Harmony

"Zen" is a philosophy that emphasizes inner peace and concentration to perceive the essence of things. Viewed from above, electronic circuits embody the spirit of Zen. The orderly arrangement of countless parts, creating a harmonious whole, is the essence of "Zen City."

Observing electronic circuits from an aerial perspective allows one to escape the chaos of daily life and immerse oneself in tranquility and harmony.

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

A Journey from
the Micro to the Macro,
The Shift in Perspective
is Central to Zen City.

From a microscopic perspective, both electronic circuits and botanical ecosystems are composed of countless small elements that combine to create a larger system.
From a macroscopic perspective, each looks like a vast city. This shift in perspective is central to my work.Gazing and journeying through the completed "Zen City" is akin to life itself. By focusing on each detail, we can appreciate the overall beauty and harmony. By viewing the whole from an aerial perspective, we can rediscover what is truly important in life.

"Zen City" offers an opportunity to reevaluate the beauty and harmony hidden in our daily lives. Moving from a micro perspective to a macro one, and then back again, we can deepen our understanding of our own lives. Through this work, I hope to help you find your own "Zen City."

Artwork from Kenji Ichikawa's ZenCity series, exploring urban serenity through digital abstraction

Original technique.

ABOUT PIXEL MONTAGE

In 1988,
Pixel Montage
Was Born

“Pixel Montage” is a technique I devised in 1988, with the aim of cutting out and reconstructing printed materials and photographs to create new images. This technique explores expression by transitioning between microscopic and macroscopic perspectives.

Technique :
Origin
& Inspiration

The inspiration for this technique dates back to my childhood. I loved collecting commemorative stamps, character cards, candy packaging, river stones, fallen leaves, and pinecones, arranging them and looking at them with curiosity.
One day, I was astonished to see the inside of a television my father was repairing. Inside the simple box covered with a cathode ray tube and plastic casing, there was a circuit board neatly lined with tiny components.
It looked to me like a town seen from a mountaintop. I was fascinated by the contrast in scale—my own size, the size of my house, and the mysterious world that existed inside the TV. This experience deepened my interest in arranging collected objects to create new visual compositions.

Collecting,
Sensing,
Assembling

As an adult, I began taking photographs and collecting images from printed materials featuring a wide range of subjects, from organic forms such as lips, Japanese festivals, plants, and flowers, to inorganic objects like buildings. By carefully observing each image and considering its colors, shapes, and textures, I trimmed them into squares and connected them to form a unified image.

The consistent theme is “now”—I aim to create works in which the beauty of detail captured from a microscopic perspective coexists with the harmony visible from a macroscopic perspective. I follow my natural inspirations, gathering large volumes of the present moment from various places, and reconstruct them to form each piece.

The Heart
of
Pixel Montage

“Pixel Montage” is an attempt to fuse micro and macro perspectives to create new images that transcend time and space. At the heart of this technique is the process of contemplating how each individual image contributes to the whole and refining that concept into a final work.

Through this technique, I aim to offer visual surprises and the joy of discovery—works in which viewers can encounter new stories and interpretations.

Who is Kenji?

PROFILE

Portrait of artist Kenji Ichikawa, creator of the ZenCity series

市川 健治

Kenji Ichikawa

Artist. Born in Nagano, Japan in 1967. Completed his Master’s degree at Musashino Art University in 1997. In 1988, he devised his original technique “Pixel Montage,” a unique form of visual expression created by cutting and reconstructing photographs and printed matter into fragments, fusing microscopic and macroscopic perspectives. In recent years, his work has centered on the series ZEN CITY and ZEN GARDEN, inspired by the structural similarities between electronic circuits and Japanese gardens. These works traverse both digital and analog realms, attempting a contemporary “reconstruction of vision and memory.” In addition, he has continuously produced Pixel Montage works that use Japanese printed materials and explore themes of Japanese culture, expanding the scope of his artistic practice.

His international activities are also active. In 2024, he was selected as a finalist for the 19th Arte Laguna Prize and participated in the exhibition in Venice, Italy. In 2025, he is exhibiting at the international exhibition NordArt 2025 in Germany, as well as at the Arte Laguna Prize exhibition in Shanghai. In the same year, he was selected for Meet the Artists, a curated program by the international art platform Homiens, and was featured as one of only 30 artists worldwide in its official booklet.

He has presented his works in exhibitions and art fairs in Tokyo, Osaka, Nagoya, Sapporo, and Nagano, as well as internationally in New York, Paris, Hamburg, Wiesbaden, Shanghai, Amsterdam, Buenos Aires, Singapore, Kuala Lumpur, Abu Dhabi, and more.

He also works under the name Utamaro Kenji, creating murals, portraits, works for magazines, books, DVD booklets, television, and iPhone/iPad applications, developing his art across diverse media and events.

HP:www.gathering-art.com

Email:turbinet@icloud.com

INFORMATION

SCHEDULE

November 1, 2025ーDecember 15, 2025

EVENT SITE

Building 7 (Yicang), EKA·Tianwu
No. 535 Jinqiao Road, Pudong New District
Shanghai, China